Signed lower left
Exhibited:
Beirut, Studio 27, Paul Guiragossian, 1973.
Note:
This work is accompanied by a certificate of authenticity from the Paul Guiragossian Foundation. © Courtesy of the Paul Guiragossian Foundation.
Signed lower left
Exhibited:
Beirut, Studio 27, Paul Guiragossian, 1973.
Note:
This work is accompanied by a certificate of authenticity from the Paul Guiragossian Foundation. © Courtesy of the Paul Guiragossian Foundation.
Acquired from Studio 27 by a private collector.
Acquired from the above by the present owner.
There are no obvious condition concerns. For a full condition report please email service@artscoops.com.
“This artist is terrified of war. Because he is innocent, he fears guile, lies and deception; and he fears trade and brokerage too. In his view, pale colours reflect, or express, the tragic in human existence. From a technical point of view, he hates bright, vivid colours - they remind him of shiny shoes - and he considers them to be bourgeois colours, used to seduce women. They are mendacious, opulent colours, but people are lured in by flashiness, even if it is also a lie. Don’t they see that most artists are using fake jewels, while he goes against showiness, while he goes for the depth of expression? The key factor in this is colour - the subdued colours.”
Paul Guiragossian: Displacing Modernity, Sam Bardaouil and Till Felrath, Silvana Editoriale 2018