Private Collection, Damascus.
Fruits
Beirut, Lebanon
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“His vision is so intense that you have the impression of waking up from a dream when looking at his works. It is as if you had never really seen, in depth and in relief, what a simple fish is. Abdelke penetrates the skull, or the fish, or a woman’s shoe, just like Michaux ‘entered’ in an apple.
Observation and the utmost attention are not enough. Everything happens as if he wanted to re-invent the world, protect it for good from offence, indifference and omission. It is as if he was himself-dead in front of the ox’s skull and that he wanted all living phenomena to replace him, the Syrian engraver. It is not ‘Abdelke’ who interests him but rather everything that Abdelke isn’t, everything that will survive to Abdelke and everything that goes beyond, far beyond, Abdelke.”
- Alain Jouffroy, French Poet & Art Critic