Pencil, mineral pigments, linen thread and gold on paper. Circular khadi paper of diameter 55 cm. This piece was inspired by and made while under lockdown during the Coronavirus pandemic, though it can also be read on other levels independent of specific events. The grid, which would normally be hidden, holds all the elements together and in relationship, no matter how distant they seem from each other. Nothing is adrift. All is in fact one. The pigments used were those the artist had on hand while quarantined, as she was researching inks and paints in the Abbasid-era Middle-East: cinnabar, red lead, orpiment. The rose colour (cinnabar + lead white) and purple (cinnabar + lake dye) were prepared according to the medieval recipes she was reconstructing.