Le Cochon, la Chèvre et le Mouton / The Pig, the Goat, and the Sheep
1989
oil on canvas
81 x 100 cm
signed and dated 'W Aractingii 89' (lower right)
NOT FOR SALE
Provenance
The Artist's Estate
Condition Report
There are no obvious condition concerns. For a full condition report please email service@artscoops.com.
Certificate
Artscoops is not obliged to provide certificate(s) unless otherwise stated.
Location
Beirut, Lebanon
Shipping
- Ships in up to 14 business days.
MORE FROM THIS ARTIST
About this artwork
Le Cochon, la Chèvre et le Mouton
Une Chèvre, un Mouton, avec un Cochon gras,
Montés sur même char s’en allaient à la foire :
Leur divertissement ne les y portait pas ;
On s’en allait les vendre, à ce que dit l’histoire :
Le Charton n’avait pas dessein
De les mener voir Tabarin.
Dom Pourceau criait en chemin
Comme s’il avait eu cent Bouchers à ses trousses.
C’était une clameur à rendre les gens sourds
Les autres animaux, créatures plus douces,
Bonnes gens, s’étonnaient qu’il criât au secours ;
Ils ne voyaient nul mal à craindre.
Le Charton dit au Porc : Qu’as-tu tant à te plaindre ?
Tu nous étourdis tous, que ne te tiens-tu coi ?
Ces deux personnes-ci plus honnêtes que toi,
Devraient t’apprendre à vivre, ou du moins à te taire.
Regarde ce Mouton ; a-t-il dit un seul mot ?
Il est sage. Il est un sot,
Repartit le Cochon : s’il savait son affaire,
Il crierait comme moi, du haut de son gosier,
Et cette autre personne honnête
Crierait tout du haut de sa tête.
Ils pensent qu’on les veut seulement décharger,
La Chèvre de son lait, le Mouton de sa laine.
Je ne sais pas s’ils ont raison ;
Mais quant à moi qui ne suis bon
Qu’à manger, ma mort est certaine.
Adieu mon toit et ma maison.
Dom Pourceau raisonnait en subtil personnage :
Mais que lui servait-il ? Quand le mal est certain,
La plainte ni la peur ne changent le destin ;
Et le moins prévoyant est toujours le plus sage.
The Pig, the Goat, and the Sheep
A Goat, a Sheep, and a fat Pig were sent
To market, to their mutual discontent;
Not for the pleasures of the noisy fair,
But just to sell—the farmer′s only care.
Not to see jugglers′ tricks drove on the carter,
Bent only on his traffic and his barter.
Sir Porker screeched, as if he felt the knife,
Or heard ten butchers plotting ′gainst his life.
It was a noise to deafen any one:
His mild companions prayed him to have done.
The carter shouts, "Good heavens! why this riot?
You′ll drive us silly; fool! can′t you be quiet?
These honest folks should teach you manners, man;
So hold your tongue, you coward, if you can.
Observe this sheep, he has not said a word,
And he is wise." "Now, fool! you talk absurd.
If he the dangers knew as well as I,
Till he was hoarse and blind he′d bleat and cry.
And this my other friend, so calm and still,
Would scream his life out, as I, carter, will.
They think you′re only going, on the morrow,
From this his milk, from that his wool to borrow:
They may be right or wrong, I do not know;
But I am certain of the deadly blow:
I′m good but for the spit. Farewell to you,
My house, and wife, and children! now, adieu."
Sir Porker reasoned with sufficient skill;
But all was useless: he was fit to kill.
Fear nor complaint could change his destiny:
He who looks forward least will wisest be.
BUY
ARTSCOOPS LEADS YOU INTO THE MENA ART SCENE
An immersive experience of proximity and excitement, accompanied by service of exceptional quality, adapted to meet your needs
BUYING
SELL
BRING THE MENA ART MARKET TO LIFE
Sell your own works or works from your collection with Artscoops
SELLING
Contemporary Istanbul returns for 19th edition
Spanish-Latin American theme and ‘soft power’ message to the fore at 2024 art fairThe opportunity to view works by an impressive lineup of artists in a city steeped in history and on the water’s edge has helped elevate Contemporary Istanbul (CI) to the status of ‘must attend’ event among many art lovers worldwide. This winning combination,...
— Read the full interview
Shaded, sweeping strokes of nature
From serene sunsets to scenic seascapes, the Lebanese multidisciplinary artist Nabil Ghandour weaves a tapestry of glorious colour into his ethereal, dreamlike paintings.Nabil at work in his studioWatching a sunset from a vantage point on a beach or hillside is one of those pastimes that many of us never tire of, whether it’s planned as part of...
— Read the full interview
From darkness to light
The themes that Wissam Al Shaabi explores in his art run the gamut from human cruelty to nature’s beauty, reflecting the rollercoaster of highs and lows, and hope and despair that life so often brings.The human condition is undoubtedly a source of inspiration for many contemporary visual artists, but exploring its numerous facets can be...
— Read the full interview
‘Beyond the Artofficial’ - exploring the rewards and risks of AI
In her current solo exhibition, the artist Magali Katra digs deep into the topical issue of AI and considers how we can embrace this exciting phenomenon without losing our authenticity or creativity. Magali KatraArtificial Intelligence (AI) has rarely been out of the news in recent months, so taking this topical issue as the starting point for...
— Read the full interview
A new chapter
Timing, it is often said, is everything. Fortunately, Jennifer Haddad, the artist and award-winning casting director and producer for film and television, knew when the moment felt right to embrace a new medium in her passion for sharing untold stories.Jennifer at workProfessional dilemmas come in all shapes and sizes, as the Beirut-based artist...
— Read the full interview
From movies to a mastery of modern art
Dr Hussam Rashwan, a well-known collector and recognised authority on modern Egyptian art, takes Artscoops on a fascinating trip down memory lane, starting back in 1970s’ Alexandria, when he first discovered the local art scene, before bringing us up to date with details of how he presents his impressive 2,000-piece collection today.Dr Hussam...
— Read the full interview