Athar Jaber was born from Iraqi parents in Rome, in 1982. He grew up between Rome, Florence, The Netherlands and Antwerp.
Moving around several countries and cities helped reinforce a sense of belonging that went beyond geographical borders. This notion acted as the framework to his artistic practice, in a desire to outline a common human experience across cultures and time.
Having been brought up with images of the Gulf War, themes such as suffering and violence became inevitable. Meanwhile, growing up in Florence allowed him to develop an understanding of classical sculpture and its quest for ideal beauty. Athar Jaber seeks to explore the contrasting condition of violence and beauty that have played a significant role in his development as an artist.
Recent solo exhibitions include Where Pain Becomes Beauty (Palazzo Medici-Riccardi, Florence, 2015) and Offerings (National Museum of Fine Arts, La Habana, Cuba, 2018), while group shows include The Curated Space (Mall Galleries, London, 2016), 100 Masterpieces of Modern and Contemporary Arab Art (Institute du Monde Arabe, Paris, France, 2017), Jerusalem Lives (The Palestinian Museum, Birzeit, West Bank, 2017), A Cool Breeze (Rudolfinum Galerie, Prague (2019), Future Genealogies (6th Lubumbashi Biennial, Congo, 2019).
Athar Jaber’s work is part of various private and public collections such as the Barjeel Art Foundation, The Palestinian Museum, the National Museum of Fine Arts of Havana and the FAO Headquarters in Rome among others.
He currently lives and practices his profession as an artist and PhD Associate and Professor of sculpture at the Royal Academy of Fine Arts in Antwerp, Belgium.